In Strands, Jean Sprackland explores a year on a beach,
specifically Aindsale Sands on the North West coast of England. The ‘Strands’
of the title is the strandline, the line at which debris gathered and deposited
by the sea is left. It is a clever title as Sprackland explores the idea of
leavings in more than one way: both the articles left and encountered on the
beach and her own leaving, as she moves to a new life in London.
Her alter-ego as award winning poet also shines through in
the quality of her writing. There’s a lyricism to it which belies its otherwise
plain language. That’s the skill of a poet: making something wonderful from
ordinary words. Like here, in the chapter ‘Denatured’:
“But living in a place
like this, you get used to living with sand. The wind drives it inland, where
it scours the paint off window frames and parked cars. Upend the laundry
basket, tip out all the socks and T-shirts onto the kitchen floor; what remains
is sand. Empty the vacuum cleaner and it’s there, mixed with the fluff and dust
which is the detritus of our lives. Even then I know there is plenty more of
it, invisibly embedded in the fibres of the carpet in the house. When I clear
the place out and move away, this is what will be left behind: a forgotten
lightbulb burning itself out in the cupboard under the stairs, the odd coin or
hairgrip wedged between floorboards; and sand.”
Strands is a beautiful read. If you’re a lover of nature
books (as I am fast becoming) it is one worth looking out for. It doesn’t quite
have the extraordinary power of Kathleen Jamie’s writing as seen in Findings
which covers a similar theme (and which Sprackland references nicely), it has a
softer voice and a less stark, more peopled, feel to it. Despite this, is it
still a fascinating book full of interesting information coupled with
Sprackland’s unique and valuable perspective.
Strands receives a shored-up 7 out of 10 Biis.
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