The God of Small Things is a book about love. It is a book
about who can love and who can’t love, and the terrible things that happen when
the love laws are broken.
The story is told from the perspective of ‘two-egg twins’
Rahel and Esthappen and tells the story of their family, broken by tragedy and
forbidden love. In the beginning we learn of the death of Sophie Mol, their
English cousin, though it is not until later that we learn how that death
happened. Present at the funeral are the children, their mother Ammu, their
uncle Chacko (and father of Sophie Mol), Sophie Mol’s mother Margaret Kochamma,
their Grand-Aunt Baby Kochamma and Grandmother Mammachi who founded and owns a
local factory, Paradise Pickles. Ammu and her small children are separate, in
disgrace, and shortly after the funeral Estha is ‘Returned’ to his absent father, the twins separated. All this is
revealed in the beginning, and the rest of the story shows how their lives unravelled
to this point then how it went on, ghostly, thereafter.
The God of Small Things is a story told in flashbacks and
fragments. Rahel, who has spent some time in America, been married, then
returns to her family home in Ayemenem is a grown woman. A ‘viable die-able age’. Her brother,
Estha, has also returned but is curiously and unequivocally silent. Baby
Kochamma, their unmarried Aunt who has spent her whole life in longing for an
Irish priest, Father Mulligan, has left the house to go to ruin. Mammachi is
dead. Ammu too. Chacko is gone. The house is full of ghosts.
Then there is Velutha, the ‘untouchable’ whose ghost has
haunted the twins for their entire lives.
The unravelling of the twins’ stories, the story of their
family, makes for a fascinating, horrifying and beautiful read. Roy spins the
story masterfully. She wraps it up in lush, beautiful language, revealing not
too much and not too little. The breaking of the love laws is written with
constrained passion, and is all the more beautiful for it. The book is also
funny, full of character, whilst revealing the harsher side of life with an
honest and unflinching eye. In the course of the novel, Roy uncovers the
brutality of the police; the inequity of the position of the ‘untouchables’,
condemned by the caste system to something less than a human life; the danger
of unrequited love and the equal danger of requiting it when love is forbidden.
It highlights the difficult position for women, the guilt of betrayal, the
complexities of social order and disorder. It is a complex and challenging
book, but despite this surprisingly easy to read. I felt myself drawn in by the
characters, their life and vivacity. I found myself hating some of them (Baby
Kochamma: infuriating) and yet sympathising. And though terrible things have
happened, in the end there is love and though it may have been forbidden it has
at least been expressed. Somehow that seems to be important.
It is impossible to describe this book. It is sad and
terrifying, it is colourful and funny. It is depressing and uplifting. It gives
us a vision of India seen through the tragic lives of one family, a family torn
to pieces by love. Strange as that might seem.
The God of Small Things receives a stunning 9 out of 10
Biis.
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