In Strands, Jean Sprackland explores a year on a beach,
specifically Aindsale Sands on the North West coast of England. The ‘Strands’
of the title is the strandline, the line at which debris gathered and deposited
by the sea is left. It is a clever title as Sprackland explores the idea of
leavings in more than one way: both the articles left and encountered on the
beach and her own leaving, as she moves to a new life in London.
The book is portioned into the various seasons starting with
spring, and each section explores different items that Sprackland discovered on
the beach. It’s an eclectic mix: from shipwrecks to Neolithic footprints, a teacup
lost from Cunard Lines, driftwood and sea squirts. It makes for an interesting
blend, and is a great example of how focusing on one small area, in this case a
beach, can uncover an extraordinary array of subjects. Weaving among the facts,
Sprackland draws out many literary references exposing herself as a literary
geek (which is always nice) with snippets from her own poems, Twenty Thousand
Leagues Under The Sea, Longfellow to name but a few.
Her alter-ego as award winning poet also shines through in
the quality of her writing. There’s a lyricism to it which belies its otherwise
plain language. That’s the skill of a poet: making something wonderful from
ordinary words. Like here, in the chapter ‘Denatured’:
“But living in a place
like this, you get used to living with sand. The wind drives it inland, where
it scours the paint off window frames and parked cars. Upend the laundry
basket, tip out all the socks and T-shirts onto the kitchen floor; what remains
is sand. Empty the vacuum cleaner and it’s there, mixed with the fluff and dust
which is the detritus of our lives. Even then I know there is plenty more of
it, invisibly embedded in the fibres of the carpet in the house. When I clear
the place out and move away, this is what will be left behind: a forgotten
lightbulb burning itself out in the cupboard under the stairs, the odd coin or
hairgrip wedged between floorboards; and sand.”
Strands is a well researched and interesting book, and it
certainly made me want to go out and start scouring the beach for interesting
finds. Sprackland shows a keen eye and an interest in everything, a willingness
to search and find, a sense of care for the wildness and unpredictability of
the sea. It is a book of discoveries, of ideas and innovation, a book about
exploring and seeking the wonder that is available to us so easily, if only we
choose to go and look. It is a book about commitment, how returning to the same
place over and over remains rewarding, the value of intimacy and attention.
Strands is a beautiful read. If you’re a lover of nature
books (as I am fast becoming) it is one worth looking out for. It doesn’t quite
have the extraordinary power of Kathleen Jamie’s writing as seen in Findings
which covers a similar theme (and which Sprackland references nicely), it has a
softer voice and a less stark, more peopled, feel to it. Despite this, is it
still a fascinating book full of interesting information coupled with
Sprackland’s unique and valuable perspective.
Strands receives a shored-up 7 out of 10 Biis.
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